Catherine, what's wrong with us?
Why do we torture one another?
When you say things that hurt me, I try to hurt you back, don't you see?
But I can't, I can't any longer because I love you.
I actually get hurt too easily.
Tell me that you love me.
Well, if I do, will you promise not to take advantage of me?
Yes, but tell me, I want to hear you say it.
Alright, I love you.
You can stay on the couch if you want.
I've already told you that I'm going to throw it away.
Why are you going to throw it away?
Because it's broken.
Don't throw it away, I'll keep it.
Keep it for me when you can.
Okay.
We're going to try to reach an agreement, even if it's provisional.
When I'm in a better situation, let's get the money back.
Do you think so?
Remember that you have to call Fontanero.
You know what?
I'm starting to believe that he was right.
And that our relationship is full of bad times.
I'm glad you think that way.
Can I ask you for one last hug?
Yes?
Hi, I'm Angela.
I've been at your conference.
I arrived late and I dropped my bag.
I don't know, I imagine you'll remember.
I remember, I remember.
I've been looking for you but I didn't know your name.
My name is Angela.
We'll meet in five minutes at the reception.
Okay.
Great.
See you later.
I've been watching a movie at two.
I'll always love you.
It's the title in Spanish.
I'll watch it too.
I liked it.
Although it's sad.
At the conference you were critical of love.
Well, with love, right?
With the fake romanticism.
And with the other love?
The real one?
It exists.
Of course.
Let's see.
I haven't found it yet, but I know it exists.
For Antonio and Angela, we're going to toast tonight.
I only wish you one thing.
That love can't be with you.
Cheers, Antonio!
Don't get hurt, don't get cold.
I've already found the cure to the hurricane.
I'll pray with tears, with tears.
That my bones can give you shelter.
When the calendar is a mirror without a mirror.
Broken in memory and made to walk far away.
When there's not enough light to ruin and time knows how to miss you.
I'll keep keeping the secret.
I'll keep making up sorrows.
I'll keep forging your amulets.
I'll invent the end of the tales.
I'll learn the magic of the sea.
Disobeying chance.
Taking care of the noise.
Taking care of the cold.
Hi.
Hi, honey.
What's that?
Hello.
Can I have that?
What is this?
It's so nice.
Thank you.
Bye.
Do you like it?
It's so nice.
I love it.
Try it.
Really?
Of course.
It's so nice.
Are you comfortable?
Yes.
I love it.
You can see everything.
Come here, my friend.
What's this?
I don't know.
It's so nice.
Shall we sit down?
Ángela.
You know I don't agree on what pay is less than me on the child's expenses.
Ángela.
The child is going to live with me.
Yes, but in shared custody.
If we decide to pay the rent of the country house, I think we could both live there.
Don't start with that idea of separate parents
who continue to share the house as friends.
We are doing very well until we start talking about money.
You see, we are like any couple that separates.
Ángela, don't go there.
We have to make an effort.
I'm tired of making efforts.
I remind you that you were the one who wanted to separate you.
Do it for Alicia.
I will give up on the child.
Do you think I love the idea that Alicia becomes
another German in the daughter of your other marriage?
Sorry.
Don't talk like that about German, please.
I'm sorry.
I don't know why I said that.
You know I love him too.
How are you, German?
How are you?
Fine.
And the classes?
How are those classes?
Fine.
Well, this over here.
Thank you.
I won't drink anything.
Thank you.
Okay.
Did you take an exam?
No, no, no.
How's mom?
Nothing, she's fine.
Don't you have anything to tell me?
No.
Tell me what you called me.
Do you know that today I'm with my friends?
I haven't told your mother or your brother yet.
Angela and I haven't been well in a while.
And we're going to break up.
Again?
You're going to break up again?
Yes, but you know that separation is something
between parents that doesn't affect the children.
Yeah, dad, but...
I don't know, when this happened to me the first time, I was little and...
And well, now that I'm going to have your house, mom's, Angela's...
Three houses.
Dad, I need stability.
German, separation is a thing for adults.
No, don't say it's a thing for adults.
It's a thing for everyone.
It's a family thing.
Don't hit him, dad.
Like the dogs.
Where are we going?
Where are we going home?
Where are we going to go?
Of course.
What a walk, huh?
Come on, help me put things in.
Come here.
Put this in there.
Very good.
Now this.
Here.
Give this to your father, he puts things in the fridge much better.
Here, dad.
Tell mom that objectively more things fit.
Oh, yeah, of course.
Of course, honey, you're right.
Right?
Let's play.
Okay.
Hey.
You're bad.
Oh, bad?
Yellow.
Well, it wasn't complementary.
And your obsession with organizing everything was the reverse of my disorder.
Red.
Green.
And it helps to humanize the house, right?
Yes.
Let's get our hands dirty.
It's important to touch the ground.
Here.
Let's see.
Touch the ground.
Touching the ground is so much fun.
Let's go.
Fill that up with soil.
And we plant this flower.
But stain yourself more.
And then dad will scold us.
Then we wash it.
Oh.
It's divine.
We've made a star.
Yes.
I've seen the terrace.
Don't talk to me.
Don't tell me more.
I'm disordered.
Come on.
It seems that they had been there all day playing.
But we have to let the children touch the ground.
Things.
You're so disordered.
Compared to your mother, right?
That creates a spirit of freedom.
Don't tell me.
It's going to be hard.
Do you want me to serve you?
Thank you.
Well, you know.
You're an artist too.
It's hard to always think when you're going to get it
right, when you're going to communicate with the public.
But what are you writing now?
Is it a novel?
It's a novel.
I thought it was an essay.
No, it's not a novel.
We always have this discussion.
Is it a novel?
Okay, I don't understand.
It's okay, mom.
What do you mean you don't understand?
You're a history teacher.
Don't annoy me.
Thank you, mom.
Do you want me to take her to bed?
No, I want to keep her here.
Okay.
You're so lucky with Antonio.
Not with me, mom.
Well, yes.
Me too.
Did you see how beautiful the glycine is?
Antonio.
What?
Come.
I can't right now.
Antonio.
What?
Do you love me?
No.
Look, I know you love me, but it's not like before.
What's wrong with love?
If you don't use it to fill the caries of desire.
What?
I don't know.
Did you write it?
Did I really write that?
What a bad taste, please.
Me.
Angela, please.
You know what?
What?
That you are very capricious.
And you have to love yourself how?
And when you say otherwise, I'm suspicious of not loving you.
That's it.
Maybe you think you love me.
And you don't love me so much if you compare it with the lyrics of the Mexican songs.
That's the problem.
The lyrics of the Mexican songs.
Really?
No.
Oh, Marti.
What happened?
Tia.
Are you okay?
It's broken.
Yes, it's broken.
No, this is German.
Look.
Okay.
Look, look, how much I get.
I get more.
Surprise!
But what's this for?
Who is it for?
For you, dad.
For me?
Yes.
For you.
Of course.
Yes.
Between suns.
What a beautiful phrase.
Who wrote this?
The three of us.
All together.
The three of us.
You are poets.
Can I open it?
Yes.
Open it.
What?
A projector.
I love it.
Happy birthday to you.
Come on, come on.
Happy birthday to you.
Run, run.
Come on, Deseo.
Good.
Can you give us a picture?
Do you have a wish?
Yes.
Put it on, Adela.
Who put it on later?
Okay.
Fata.
It's true.
Federico Patacón.
What are you doing?
Cheers.
Like this?
No, I'm not doing anything professionally.
My husband works outside, so I'm raising my son.
Very good, I'm very happy, very calm.
I've made a change.
Things aren't that easy for music, it's a bit complicated.
And you?
Well, I've been disposed of from here to there.
I want to go to Cuba now.
I really want to.
You too.
And see America.
Do you know what I think?
That I think it's a good time to buy a house in the countryside.
Now?
Now.
Why not?
You've been doing that for a long time.
Of course.
Besides, if things get ugly in the newspaper or I don't get the fixed place,
we can build a rural house or an ecological farm, right?
I think it's the best thing you can do or you can do, come on.
Hey mom.
Yes?
And we can set up a workshop for you, so you
can come to work and spend seasons with us.
I need to work in my studio, but I'll visit you from time to time.
Adela, that would be wonderful.
Listen to the last one.
The crisis reduces the number of divorces.
Don't you like more...
a surprising reason why couples don't get divorced?
I think they're both pathetic.
I'm tired of changing the headlines.
What?
Have you already found out?
Whatever it is, we will soon be the best in the newspaper.
And the next candidates?
Do you think there will be more?
I think they have come to stay.
Look.
Only with the horse.
Okay, only with the horse.
Okay, let's see.
First step.
Second step.
And now the horse.
You, you, you.
What's wrong with you, my love?
My life.
Are you okay?
What's wrong?
Breathe.
What happened?
I'm sorry.
Bravo!
I can't believe you're so good.
And you're going to put this one first?
I don't know.
What?
You have to turn it anyway.
What's wrong, German?
Didn't your mother confiscate your phone?
I'm going to miss being your evil stepmother.
Hello.
And Alicia?
With Marta.
But we had agreed that I would pick her up at ten today, right?
To take me to the park.
How predictable.
Another monkey that doesn't let go of the lion until it grabs the next one.
You made me believe that you had doubts.
That's why I humiliated myself.
Because I felt guilty about our breakup.
And I begged you.
We can't do this to Alicia.
We still love each other more than most of the couples we know.
I don't forgive you, Antonio.
I don't forgive you.
Are you calling me a cheater?
I'm not.
The special.
That's cheating.
Ali, come here.
We're going to measure you.
Here.
Can I measure it?
Of course.
Here.
Look.
What you've measured in a year.
It's impressive, isn't it?
Yes.
It's up to work.
It doesn't give me time.
Of course it will give you time.
Yes.
So what?
In the end, we're going to accept the salary reduction again.
I think I'm going to sign up for the next ERE and leave already.
I'm sick of it.
Some shitty conditions.
What?
Let's have a drink later?
I can't today.
Fede, can I go play?
Yes, of course.
Give me a kiss.
What happened?
It's been great.
We were having a snack.
Raúl has arrived without saying a word.
He took U and took her.
What if he wants to take the child away from me?
No.
I'm afraid he wants to take U away from me.
The child is my life.
I couldn't... No, Fede, no.
I don't want to take care of the child now.
But if he's never done it, he won't do it now.
To hurt me.
And he can do it.
I suppose a judge will see that I don't even have to pay the rent.
I can't take care of Hugo financially.
But the judge looks at other things too.
I want to go home.
Hi.
Come on.
Run.
You can tell me later.
Here you go.
Thank you.
For you.
Roberto?
Angela?
What a surprise.
How long?
Already?
You look the same.
Well, you're much prettier.
Thank you.
How's your sister?
It's been a while since we talked.
Good, very good.
She lives close to Sydney.
I spent this summer with her.
Working as a visitor?
No, as a visitor.
Well, and doing an intensive English course.
Come on.
How nice.
Would you like us to have a coffee?
Okay.
Come on.
What are you doing?
You studied philosophy, right?
That's it.
Yes.
Now I do a little bit of everything.
Sometimes I've done a hand here in the library.
As a waiter.
Although what I like is poetry.
Do you write?
I try.
But I don't get any editor.
I see.
I guess it will be difficult, right?
Yes.
You know, when you came to study at home with my sister.
I always got used to it.
To look for an excuse to stay out there.
To see you, to cross paths with you.
I think I've always been a little in love with you.
What are you saying?
Yes.
For you.
For me?
Thank you.
Wait.
Do you leave?
Of course.
Sorry, a pleasure.
Likewise.
Thank you.
You're welcome.
Bye.
Hello.
How are you?
Without a How are you?
This morning I was with Fede.
Have you reached an agreement?
They are going to trial.
What a move, right?
He asked me to go as a witness.
And what are you going to declare?
The truth.
That Fede is a good father.
Mountain, three.
Very good.
They are all very easy.
Write there.
University.
Tell me, Germán.
Well, here with your sister, doing the homework.
Yes, about the notes, tell me.
Germán, I'm running out of battery.
I'll call you now, okay?
Come on.
Angela.
What are you doing with my mobile?
I was talking to Germán and I ran out of battery.
I'll take a moment.
Well, charge yours and call, right?
What's wrong with you, Angela?
I need to talk to my son.
You were looking at my messages.
But when did I look at you and your messages?
Can you tell me what the fuck is wrong with you?
It's a first eraser.
It's not corrected or reviewed.
Well, I haven't even looked at the editorial.
Come on, it's me.
Yes, yes, right?
Come on.
Chapter one.
The skin is thinner and softer when it can't be touched.
When it's untouchable.
That's why it's from the heart.
And the desire always increases.
I'm sure I'm sick.
I murmur or frame in the whirlpool of their narcotic thoughts.
What?
Narcotic?
I think it's now.
Shall I continue?
Yes, yes, of course.
I murmur or frame in the whirlpool of their thoughts.
It can't be normal.
It's envy.
And it's unhealthy envy.
Ángela.
What?
Sorry.
May I?
I can't find the keys.
Do you have to look for them now?
No, no, of course.
It can't be normal.
It's envy.
And it's unhealthy envy.
I'm rotten, but they don't want to tell me.
Well, you know what I'm telling you?
It doesn't matter.
I'll read it to you another time.
By the way, has it been the realtor?
Alicia?
Yes.
I think we should stop the purchase.
What?
I thought you would arrive later.
And what would you be preparing for dinner?
We'll stay on that, right?
You must have forgotten.
The pay for the appetizers.
Did he call you a smoker?
No, I don't think so.
No or I don't think so?
Well, no.
Okay.
Hey, the tablet.
Alicia.
Yes.
The tablet on weekends.
Mom, I'm hungry.
I'll put something on you, okay?
But I can't stand it.
Here.
Thank you.
Do what you want.
I think we have to set limits.
Are you going to make me explain again how I have to educate my daughter?
Are you unbearable?
No, what I am is tired of taking care of everything.
That's not true.
I'm with the fucking translations.
And besides, the one who takes care of the house now is me.
Oh yeah?
That's why I left the institute in a hurry and I'm here preparing dinner.
For pure whim.
For me, of course.
This will be one of the best.
Of the best.
I love it.
If we start.
I love it.
I started.
I think it takes a long time, Antonio.
Thank you.
What do you think of the wine?
Very good.
Come on, yes.
It's my mother.
We are in the cruiser lobby.
We loved the white wine that was there.
Hi, Antonio.
Sorry for being late.
How are you, Andrés?
How are you?
Hi, Marta Bonita.
Hi.
We were talking about the great trip we went on.
To Greece, right?
The cruise, a wonder.
You didn't have to worry about anything, everything included.
We have done a thousand activities.
We have stopped.
You thought you were going to be full of old people, you know?
And suddenly you see yourself with them having a great time.
Incredible.
Oh yeah?
Let's see, it's a memory that we have remembered of you.
Thank you.
Thank you very much.
A detail.
Let's see.
Oh, how nice.
I love it.
Yes, the detail is very cool.
We took it and put it in my cone because we had an anecdote there too.
Yes, yes.
Well, from there, but very strong.
Very strong.
We were suddenly, a lady approached, a super Mediterranean, a witch.
She took my hand suddenly.
Yes, yes.
And she said to us, you are recovering something that you have lost, such.
What that trip was for us.
I mean, it was like something... Magical.
Magical.
Incredible.
We have totally disconnected.
We have joined together like this, a joy.
Now we have to try it.
Well, yes, you should.
I'm trying to set up a communication company.
It would be something small.
Two, three partners maximum.
Hey, that sounds great.
Of course.
Why not present a more detailed dossier, man?
Let's move it.
How are you?
Well, you're seeing it.
Bad.
Lately, everything he says, everything he does, bothers me.
And aren't you going to do something?
What?
I don't know.
Something.
To us, the couple therapy did not go very well.
Yes.
Because you want to go with Antonio, right?
Of course.
The pastical that they had to leave on that cruise.
And they were a little lazy, right?
Well, I get jealous.
Are you serious?
Yes.
They are a solid couple.
A block.
Not like us.
Thanks.
There is a Rosaline cycle in the movie theater.
This afternoon they put ours, come on?
Eh?
Are you listening to me?
Yes, yes, sorry.
We haven't seen each other for a long time.
This afternoon I meet with the communication company.
I always love you.
It's over soon, I'm going.
The blue lights dance on the terraces.
And the springs reflect their light.
The day does not come, it scares us.
Yet I feel happiness.
Never again.
You have a balloon and if you give it to me it is eliminated.
Ah, I know which one.
Oh, sorry, it's an important call, okay?
That is... Andrés.
Andrés, yes, tell me.
No, no, I can talk.
Okay, the meeting went well.
I knew it, I knew it.
Well, it's the first one, but it's fine.
Yes, yes.
Whatever it takes.
I don't think we have to go for all of them.
Okay?
Well, come on, we'll talk.
See you later.
Hey, Peque.
What do you want to eat?
A crepe.
A crepe?
Well, let's go for that crepe.
Is there anyone there?
I
think this week he is with Andrés.
How are you?
Did you tell me you were going to cook?
I'm going to make Italian food.
What a joy you give me.
How are you?
Fine.
Come on, I'll give you a hand later.
Give me.
Well, in the con and everything?
Yes.
Eh?
Hi.
Did they give you custody, Raúl?
Don't fuck with me.
Fede will come home later.
I've felt the same pain as when I left him.
Now I wouldn't be able to face him.
I'll help you.
What do I do?
There are the eggs, if you want.
Okay.
There it is.
What was this?
I don't remember.
I don't know.
Tomillo?
Well, now the cow.
What do you think?
Put it here.
Two or three seconds.
What's up?
It's Alicia.
Forgive you, why?
Because you're too close to see me.
What do you mean by being too close?
Come here.
You'll never be too close.
I'm dizzy.
Do you want to drive?
Are you better?
Are we still on the road?
Wait a minute.
What's up?
Well, we agreed to meet before dinner.
Who is the official neurotic in this family?
You.
I like you to admit it.
Let's go.
It looks like we're in the middle of the forest.
Nice, huh?
Where are you going?
No, no!
You're so sweet.
Yes, it's nice, huh?
Well, it sells.
Wow, it's huge.
It's cheap.
I hope you like it.
Wake up.
We woke up Dad.
Ari.
Wake up.
I'm awake.
No.
I'm not.
What's going on here?
What's going on?
A little, a little.
No.
Please.
No.
Let's go back.
Okay.
No, not again, please.
Yes.
Come on, while you think about it, I'll take a shower, okay?
Okay.
Be careful, come on.
Tea.
Tea made.
Less.
Say goodbye to Grandma and leave the phone.
It's not Grandma.
What are you doing?
You're going to wake up the girl.
Don't you remember the girl when you were with him?
Answer me, Angela.
No, it was nothing.
I swear.
Nothing makes someone write to you the messages I've read on your phone.
Do you think I don't feel desire for other women?
But you've been able to say no, Angela.
But you're perfect.
I'm not.
I'm a disaster.
Do you love her?
Tell me you don't love her.
No.
I'm here with you.
I feel angry.
Very angry.
I've even come to think that it was her twisted
way of telling me she wanted to break up.
I can understand that for her it was something intrascendent.
But I can't accept it.
And I don't understand why she's crushing me so much.
I'm scared to see myself so vulnerable.
But I read the messages.
You hadn't lost your desire.
Your desire was alive.
It was me you didn't desire.
Would you like us to go to the Mexican and have some margaritas?
I'd rather go home.
Mom, did you like the movie you saw with Dad?
Yes, a lot.
Do you know why you're sad?
You know you're a very sensitive girl.
Well, come on.
To bed.
No.
Not at first.
The guilt came later.
And I wanted to tell you everything.
Because you're the only person who knows me.
And who understands me.
But I realized that what I had done made you the only person I could talk to.
And how do you perceive it now, Ángela?
Bad.
I feel like a bad person.
Misery.
But at that moment I felt that I deserved to be happy.
And I convinced myself that it was good for me.
To find someone who would love me.
Who would admire me.
Even if it wasn't you.
Look, you put it like this, in a circle, and inside this.
Well, it's a replica of the sculpture that I was selected for the Biennale de Berna.
This is my Christmas gift.
Well, let's see.
Do you know that I've always loved this piece, Mom?
Yes, I know.
What does it remind you of?
Is it a pyramid?
But what else?
It's a capital letter too.
Is it?
What letter?
The A.
Very good.
What's your name?
Alicia.
Alicia, what's your dad's name?
Antonio.
Mom.
Ángela.
And myself?
Adela.
Because it's the letter that all of us start with.
Dad, you make the best seafood cream in the world.
See?
And you were about to run out of it because of your phone.
Family, thank you for taking this poor black sheep Well, black sheep and diarrhea.
That's it.
What's diarrhea?
Well, diarrhea is when you're never where you're supposed to be.
That's what happens to me.
But it's also part of your charm, isn't it?
Thanks, Adela.
I'm sorry you didn't come.
She's with my ex-husband.
Half of the Christmas with each one.
But talk about yourself.
How are you?
It's been a long time since we last saw each other.
How are your relationships?
Good.
I'm doing well.
I'm getting along better with my ex.
And well, I'm raising my son.
So I'm happy.
And you know what?
After the divorce, I've discovered that marriage is fundamentally a business.
I see.
If we deposit it all into the romantic love letter, we're lost.
We want everything.
We want stability.
That's the emotion of the lover.
I mean...
No...
Well, the cream is great.
It's Antonio's specialty.
Well, thank goodness.
Your cooking is terrible.
Not like you.
What a grudge.
You should do this professionally.
It's a good idea.
The thing is that Antonio is back in journalism.
Come on.
But bravo.
Shut up, you had it.
Well, what a great night to announce it, right?
Cheers, family.
Cheers.
This is great, your mother.
Yes, it's good.
But how strong is this?
And do you know something?
You know... I'm going to know.
She doesn't tell you anything.
You have to learn a lot.
I think she's just making it up.
No.
That she doesn't have anyone.
Seriously.
That she was bored and left.
I think she has several.
What?
I drank too much.
We all drank too much.
It's okay.
I'll help you.
She's so pretty.
She shouldn't have read her messages.
She should have deleted them.
No.
We're crushing each other, Antonio.
Stop.
We have to stop this loop of hatred, of resentment,
of... A truce.
A truce.
I'm just asking for a truce.
And if we're not able to overcome it, we separate.
Good morning.
Hi, good morning.
I'm Antonio Gómez.
We talked over the phone.
You must be Juanjo Ibañez, right?
Nice to meet you.
And you are?
Inés Laizama.
I'm the archaeologist of the excavation.
Nice to meet you.
Well, as I was saying, my newspaper is
interested in making a report on the summation.
So if you don't mind, I'll ask you a few questions.
Perfect.
How are you?
Better.
When is Antonio coming?
I don't think he'll be long.
You'll see how everything will work out because Antonio loves you a lot.
I don't know if that's true, Mom.
Inés!
One moment.
What's going on?
Let me see.
Show me.
We just found a ring between the two bodies and there's a date on the inside.
What date is it?
12-3-31.
See?
We have to pack it, okay?
Uh -huh.
Let's see what the families tell me.
Okay, well, I'm going to tell Pablo and have him sign the catalog and the ring.
Okay.
Why didn't you tell me?
Because it was nothing.
Just a low of tension.
Are you sure you're okay?
Yes.
Damn, Angela, you should have told me.
I didn't know you could come.
What do you mean you didn't know I could come?
Did you want to blackmail me?
I'm sorry.
I don't want to lose you, neither you nor the girl.
I see a lot of plans.
Look, there are surfing classes.
We can sign Alicia.
And I see there's a Ferrocarril museum nearby.
Would you like the three of us to go?
These vacations are a great rest.
Well, I don't want to waste a minute.
Angela, if you move the table, every time I pass, I hit the fucking corner.
I'm sorry.
Are you okay?
Yes.
It's a constant roller coaster.
Suddenly, she kisses me passionately and then she despises me.
She hasn't talked to me for days and one morning she wakes up with future plans and
she shows me the ad for the sale of a house.
And I don't know how to react.
I don't know what to do.
I don't think you can do anything now.
Well, I'll do it.
I won't stop repeating to her that it was a flirteo without importance and that it's
still finished when she read the fucking messages.
Do you want everything to be like before?
No.
No, mom, I don't want everything to be like before.
Of course not.
I want it to be better.
That it's an opportunity to love us and take care of us more.
You're suffering.
He's suffering.
Antonio is suffering a lot.
He's living a betrayal.
Do you really think that on this pain love can be rebuilt?
Angela, the story has been broken.
I'm going to sleep.
There's a big one.
Look, look, look.
It's mixed inside.
Wait.
Do you know what I'm thinking?
That it's a luck to be able to live like this, together, with the girl.
To love each other, to reach this point, is not a failure.
You'll never forget it.
Can you hug me?
I've always loved your hands.
We could grow old together.
Hugging each other every night and telling each other that we love each other.
Like the couples around us do.
But we didn't want that.
No.
We wanted to love each other.
I'm going to get the girl.
And the plants reflect their light The day doesn't come It scares me Yet I feel
happiness Never again I want to open doors Towards a soul
I want to open doors Towards
a soul