Soldiers, march forward.
Isabelle, watch out!
- Can I touch it? - You scare the bird!
He said I had to touch it.
- You scare it! - I don't.
Gently, Simon.
That will be fine.
So there yes.
The name, is it howard, The very demon director!
A taste, maybe?
- Cut up to three people. - We will arrange that.
We solve the delivery itself.
This one is so nice, and really has such a classic sound as I like.
- Can I help you with something? - Is Isabelle here?
–Eh ...? -Isabelle Vogler.
Eh ... Wait a bit, I pick up Sara.
Excuse. - Sara.
/Siren from emergency vehicle/
Come now, then.
Hello! We are.
/Festsor and Music/
Tjena.
... has not been set up yet.
- Hi, Isabelle. -Hello.
Where do you live when you're here?
- The ore. - Yeah, Malmen. Wait...
- Hello! Have you baked? Huh? - mm.
You can put it there.
Hello.
- Do you decorate about fish soup? -Well...
No?
So. I'm a little nervous.
What is this?
Have I been fined? Have I put the car wrong? Huh?
No.
Oh.
/David laughs at/
You.
You are so talented.
Thanks.
It should be given the place of honor in the living room.
No, it doesn't.
Nähä?
You must not show that to anyone.
- Okay, then I promise it. - Do you loot?
I promise it. We hide this one.
Come, everyone!
Into the living room. Come!
- come. - We are coming, we will.
Hi, everyone. Welcome home to me.
And also warmly welcome to the start of the work -
with the movie "Susanna" which we should do together.
Where we should not just stay out at Filmstaden in Råsunda.
Now it is also clear that we will go to Czechoslovakia.
It feels like everyone more or less has been healthy and knows each other.
But one person you do not know is my dear, dear friend Markus.
And my best friend Isabelle, who is the daughter of Markus and Marianne.
Be now she holds a house.
And all Czech friends, You are so welcome.
- Skål and welcome and so on. - Zdravi!
I think he is really in love with her.
- It seems so. - Yes, but he is. I know that.
Can anyone open?
Hello! Lotta Westberg. I work with Allan.
Do you know what, it feels a little hard.
Here comes Susanna!
-Oh! - No, that's good.
Come, we go out and look.
Wow!
Huh? Do you recognize mom?
- bowl for Susanna! - And for David!
Bowl. Fy fuck what good it will be, huh?
And so I will smile and i will acquiesce When She Invites Me To Caress
Her scabby cat
I will sit still while she knits And witters, cross my heart
And I Shan't Lay A Finger On The Crabby Old Batface
I Will Be Polite To Your Daddy Friedfully Lah-Di-Dah
But Dad, can't we stay?
Although he always bores me to my boots
I love you very much
/Bottles that cling/
Hello.
How did the meeting go?
Eh ... I bought some food for us.
Has Isabelle stopped working in the music business?
It was a long time ago, that.
Where does she live now, then?
She lives in one on Ringvägen.
Yes, it is at least high ceilings. Own washing machine.
- Do you want to have? - Maybe in a while.
- Does she live alone? -Yes. Or no ... with Måns.
So, so he lives there now. The son.
Tobias? No.
- Mon is the cat. - Oh ... Tobias was called yes.
Imagine I got a daughter with gray hair.
Oblique in the back and alone as hell.
Like me.
/Murmur/ Then we are ready for another take.
Scene 74, take 8.
Can I have a glare step up to there, please.
-Silence. Taking. Camera. - The sound goes.
- Scene 74: 3, take eight. –And pat.
David: Pass on, then. Marianne: Will he not come soon?
- We saw to start. - Doesn't he come soon?
So. Ondrej, then you come in.
So Susanna looks up behind the screen. - And then you turn around, Fero.
So you start undressing.
Susanna? Yes...
Want to show you to him?
Yes.
Ondrej, look at her. Look at Susanna.
She looks at you because she is attracted to you.
You ... you have to give something back.
–David: Thank you. - We break for an hour of lunch.
Lighten this taillight.
- Do I make something wrong? - Absolutely not.
Go and jaw with the others, Then I will. Yes, I know.
There are more books, because they just have to lie and they can stand. More just.
There is something missing here.
What the hell can we think of?
- Kicki? - Kicki here.
We'll try this one.
Then we will take it again. I'll just go with the coffee here.
- Then we go in from Fero's reply. - Want to show up to him?
-Here. -Yes please.
What did you say? "Want to show you to him?"
- That's when I hang my pants? -Just.
Ondrej, Miss Sweden, Can we get you in?
No, then you are in the picture. You are here for opposition. You'll keep up ...
Behind the camera.
Hello on you. Wait.
- Do we have a position? - If he stands still, it will be good.
Then I say silence, take, camera.
The sound goes.
X74: 6, take 15.
- Pass on, then. -Tap.
Please.
Start.
- Want to show up to him? - Yes, I want to.
Now you are looking at her.
And then you take the veil this time, Susanna. Mm.
Yes, look. Good, good. Good.
Then you come out.
Try to see it from my point of view.
Yes, I hear what you say.
Markus: Thank you very much.
Yes...
Hello?
- Night, shouldn't you be at school? - Don't you be in Spain?
Huh?
- Are you bad? - Penter in the head.
Migraine, maybe.
Migraine?
But you don't have a fever anyway.
Okay.
No ... Fy fuck, what a pigsty! What have you been doing?
You, would mom work late tonight?
No idea.
Go and put on your shoes.
- How did that feel there, then? –Eh ...
Yes, it feels good ... totally okay. What do you think?
- It hurt. - Yeah.
I wanted to break every time he kissed you.
-Isabelle, come. - mm.
Come, then. Do you see the red light? Then you have to be quiet.
She's horny, she wants you.
So when they film you can't talk. Oh. Sch. Sch ...
Now you kiss him.
Marianne: Come here ...
- Marianne: Kiss me. - Do you wear them?
- And thank you very much. We'll take it again. - ImA, can I get my bathrobe?
We need a gobo in the corridor.
- Yeah, me ... -Hello.
-Hello! Are you here!
Surprise!
-Hello. -Hello.
-Impressive. Awesome. -Come in!
Want to watch the camera?
- Hi ... Hello, honey. - Night Hello! - Sorry, that's my husband.
-Hello. What are you doing here? - A little surprise visit.
- Yeah. Yes, what fun! –And there we have a naked guy
- Is it okay? - Yes, it's just ...
We've been doing a single scene all day. So we're ...
-Yes? - Yes, you understand.
When ... when will you get ready?
Roffe, when are we ready today?
We'll be done to seven, But we have pretty much ahead of us.
I understand.
We have a little ... we're a little after, So it is perhaps best that you ...
Yes. Mm.
Hm?
–And we get a little movie kiss there. - We are seen at home.
- Puzz, everyone. - happiness.
- We could not be seen so long today. - Now we let the adults work. Come.
- Fun that you came. - Hi with you. Good luck.
- nice. Good luck, everyone. - Hi.
Yes, then we take five.
- I just get ...? - Yes, absolutely.
Hello then.
Can we get someone from props here?
- Then we will stay everyone here. - We take lunch in a quarter.
Yes, then we start again, then.
- David, Marianne. - Pass on, then.
-Camera. - Wear, start.
Come here.
Kiss me.
If you don't ... look at her, then.
Good, Susanna.
Sorry, can we break ...
- Can I get three minutes, just? - What happens?
- Can't I get three minutes? - Yes, absolutely.
- What should I do now, then? - I don't know.
Yes, but we can wait to do it for a little while.
Place it on a practice, only.
It is not possible to play this scene with him. He doesn't understand it.
Thus, you can just as well put a firewood there. Frankly.
/David laughs/ A firewood ...
You ... we fix this. Trust me.
- mm? -Yes...
- mm. - Mm!
Okay.
Roffe, that's not her fault. We'll take this again.
- We are forced. –Ring he Jacob.
We have to do the corridor scenes next week.
We have to talk about it later.
Okay we drive.
We will check if it is color.
And please, begin.
Want to show you to him?
David: She's almost there, but she plays against a damn firewood.
Allan: The veil helped a little ... David: Silent.
Kiss me.
Allan: She doesn't look horny. - Pippi?
- Photographer: I think she's there. - Conduct, can we break?
- Do you ever meet your grandson? -Sometimes. In the summers.
Always at Christmas.
Tobias, he is so similar to his father. Both in length and cross.
I kept on a whole summer teaching him to swim.
He never reads any books.
Yes ... he just thinks about money.
Isabelle was so talented.
Mm.
She was.
She drew so nicely.
And then suddenly she didn't want to.
No, she was really talented.
And then she was in love with you.
So there as you can just be like a little girl.
In love, that's a strong word.
Yes, children's feelings are very strong.
-Yes... - Did you know ...
I have a dream that comes back all the time.
That I should lift little Isabelle and she says "up, up".
And so I have to ...
... put her down again because she's big.
Heavy. Like a stone.
Do you understand?
No, I don't think so.
Yes. Now we have to eat.
Yes.
Don't you dream of what the boys were when they were little?
Sometimes, maybe.
Do you remember that Simon always sucked on his thumb and how angry did you get?
"Simon, for God's sake."
Simon the Diamond.
What about the boys? Do they still live in London?
We have almost no contact.
Tim rings well sometime, But it will only be boring conversations.
- Do they never come and greet? - They hate me.
Both.
Oops.
Why haven't you made sure to become friends with your children?
And Isabelle, then? Do you take care of each other?
No, I don't have this scene. We have to redo it.
Don't I have it, I don't have the movie.
It is not possible to take everything.
We do this, please. We do so.
Hello. Good morning, everyone.
We will do as such as our dear scene 74, which we have struggled so much with: - We should film about it.
-Yes!
We have to record scene 74 again.
So we start with it today.
But now let's put it. Right?
So we'll get back to 74, And we're going ...
Ondrej! Ondrej ...
You can take a short break? Okay? Good.
-Eh, me ... I will play against. -Okay.
So I need his jacket, only.
Suit, in this shooting, then David ...
We take a pick-up from ...
... Susanna comes around the screen there.
Can we get Ondrej's jacket here?
Yes ... you say if I should do something special.
Just stand there and ... close your eyes.
–Mm ... - mm?
Yes. Silence, take, camera.
- The sound goes. –And pat.
- mm. - Pass on, then.
Well, begin.
You are warm.
And now he comes in.
Exactly, good.
And then you move your eyes between them.
Now you take a few steps closer to him.
Now I go in.
And he gets closer.
And closer.
You want to kiss him.
You want it.
Keep in mind that that is what you want.
That you should fuck with them.
Both.
Yes. Do you want it?
Mm.
-Thanks. - There it sat!
- after. - Fantastic.
- There it sat! - Yes, we ... we have it.
We have it.
We can take a break now, then.
Roffe, I take a smoke.
Good night.
- mm? - It was well ... we will see you tomorrow, then.
/Whispers inaudible/
Is that true?
Okay.
Ciao.
Have you showered?
Mm.
You...
Yes.
I dreamed of you.
- Was it wonderful? - mm.
Dream a little more, then.
I want to love with you.
Really.
You can try that.
I don't know if I can.
Then we can hold our hand?
/The church bell beats/
/Wine is corked out and poured up/
Nämen ...
- Why don't you sleep? - Yes, I was so confused.
I woke up and thought I was in the hospital -
- And so I realized that I was here.
So I thought about why I sleep in the children's room and not inside you.
It's easy to worry about the night.
It's hard for me to be here.
It may not have been such a good idea, this.
What then?
I'm not used to taking care of anyone.
Especially not someone who tried to take their lives.
Surely I am not sick? Do you like it?
No, no, But you need a doctor?
Not an old guy.
I can drive you back tomorrow if you want.
Ehm ...
- We can see? -Yes.
Honey, you got mail!
From London.
Mom and I stick on that test show now.
Markus: Is it time? Are there many coming?
Marianne: I really don't hope. Markus: huh? What do you say?
Marianne: Distributor, The photographer ... I don't know.
- Can I not come along? -No. You will think it's boring.
Sure you get. But only if you share your candy.
- Spring and put on your shoes. - Are you coming, right?
- Speed ​​up now. - MHM.
Should you eat all the candy at once? You get a stomach ache.
Mm?
- What is so dangerous, then? - The night ...
What then?
- It's an adult movie. -Okay.
- A movie for adults. - Yeah.
No, not. You promised.
–Mmm ... - But did you take it?
Dad! The yellow ones are the best.
Honey, shouldn't you have?
Allan: Yes, then we just wait for David. He is obviously nervous.
But so much I can say: We are very proud to show the movie.
The sound is not clear, The music is only on a sketch.
As usual.
- Yes, but then ... -Hello! There he is.
There he is, what good! !
- Then we drive then. - Wear welcome.
You. Isabelle should not see this. She is allowed to sit in the office.
- Aha. - Can you show her?
You have to wait for the production office.
This movie is banned.
- But mom is in the movie. - Yes, but I think it is best.
- Why that? - Now we do as Allan says.
- come. - We are then seen.
Allan ...
Yes...
/ It calls/ feel at home. There is food in the fridge, if you are hungry.
Yes, hey, yes? No, he can't talk, he has a show now.
Huh?
Is that true?
Damn what fun!
No, I understand. But I have to be able to tell David. Great!
Jump, Kerstin. It was wrong.
Listen. You can't say it to anyone, but I've got such good news.
/Isabelle hums/
Want to show you to him?
Yes, I want to.
Mm ...
Do you want to kiss my wife?
Here we have two different shoots, But we took this now.
Come here.
Kiss me.
Come here and kiss me.
It's really good.
/Marianne in the movie breathes heavily/
/Increasing moaning/
Swedish text: Claudia Dyfverman Iyuno for SVT